Match List I with List II
| List I |
List II |
| [A] “Bricolage” |
[I] Martin Heidegger |
| [B] “Dasein” |
[II] Sigmund Freud |
| [C] “Parapraxes” |
[III] Levi- Strauss |
| [D] “Polyphony” |
[IV] Mikhail Bakhtin |
Correct Answer :
A-III, B-I, C-II, D-IV
Solution :
The correct option is A-III, B-I, C-II, D-IV.
Let us break down the concepts in List I and match them with their respective theorists/philosophers in List II step-by-step:
[A] "Bricolage" matches with [III] Levi-Strauss:
Claude Lévi-Strauss, a renowned French anthropologist, introduced the concept of "bricolage" in his book The Savage Mind (1962). In structuralist anthropology, a "bricoleur" is someone who uses whatever materials, tools, and ideas are at hand to construct meaning or solve problems, contrasting with the systematic "engineer" who creates custom tools for specific tasks.
[B] "Dasein" matches with [I] Martin Heidegger:
"Dasein" is a fundamental concept in the existential phenomenology of the German philosopher Martin Heidegger, particularly detailed in his seminal work Being and Time (1927). Translated literally from German as "being there" or "presence", it refers to the distinct mode of existence and experience of human beings who are aware of and must grapple with their own being in the world.
[C] "Parapraxes" matches with [II] Sigmund Freud:
The term "parapraxes" (commonly known as a Freudian slip or slip of the tongue) was conceptualized by Sigmund Freud, the founder of psychoanalysis. It refers to minor errors in speech, memory, or physical actions that Freud argued reveal unconscious wishes, conflicts, or repressed thoughts.
[D] "Polyphony" matches with [IV] Mikhail Bakhtin:
Mikhail Bakhtin, the influential Russian literary theorist and philosopher of language, introduced the concept of "polyphony" in his analysis of Fyodor Dostoevsky's novels. Polyphony refers to a narrative form characterized by a plurality of independent and unmerged voices and consciousnesses, each with its own validity, rather than being dominated by a single authorial voice.
Thus, coordinating these pairings yields the matched sequence: A-III, B-I, C-II, and D-IV.
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